In Everything is organic, I confront two images: the one of a depopulated city during the pandemic, with empty cars and parks, inviting to its dark corners, and the one of a dreamy adolescence suspended between the real and the virtual, whose social life and education only existe online. I am also slowly opening up to the idea of bringing subjects previously locked into black and white spaces to life and offering them freedom and pleasure. In the light of isolation caused by the pandemic, working outdoors has become a motivation for me to get out and push my practice in a new direction – a representation of femininity and vulnerability.

IN PROGRESS